By Nina Prader
Perform, paint, print, and pencil! The Summer Academy’s Open House is an alternative Festspiele and ultimately, a celebration. Rhythm, mark…
By Nina Prader
Historically alchemy was considered a science, herbalists were considered witches. Alchemy is the…
By Nina Prader
Since making Kranky Klaus (2002-2003) at the Salzburger Kunstverein, everyone keeps asking…
By Nina Prader
A carefully curated group show in a different sense, the Summer Academy…
By Nina Prader
When is a sculpture finished? Who deems a print a misprint? The final…
By Nina Prader
“I wish for a time when we are seen as we truly…
By Nina Prader
The moment Irena Popiashvili, the dean and founder of Visual Arts, Architecture…
By Nina Prader
Karin Reichmuth describes cutting sculpture from stone as a process of reflection.…
By Hili Perlson
As the end of the second week approaches, and several classes are…
By Hili Perlson
This spring, the Summer Academy’s Society of Friends initiated a new grant…
By Hili Perlson
The sculpture and installation class taught by artist Michael Beutler this summer,…
