| Munem Wasif |
|
Editing as Practice: Developing Personal Voice 18–30 July 2022 |
| Małgorzata Mirga-Tas |
|
Speculative World Building 18–30 July 2022 |
| Angelo Plessas |
|
Experimental Education Protocol 4: the Ethereal Forest 1–13 August 2022 |
| Francis Ruyter |
|
Painting Pictures 1–13 August 2022 |
| Rossella Biscotti |
|
Translating Spatial Stories 8–27 August 2022 |
| Maria Bussmann |
|
Sharpening Pencil and Thoughts 15–27 August 2022 |
| Jennifer Higgie |
|
How to Write about Art 22–27 August 2022 |
| Anna Daučíková |
|
Fragility and Resilience: Queering Strategies Revisited 18–30 July 2022 |
| Cosmin Costinaş / Inti Guerrero |
|
Exhibition-making and the Multiplicity of Artistic Languages 25–30 July 2022 |
| Ángela Bonadies / Brígida Maestres |
|
THE UN-SCENE: Capturing the absence by wandering 1–13 August 2022 |
| Léuli Eshrāghi |
|
Saltwater Sensibilities: Poetry and Movements of the Great Ocean 1–6 August 2022 |
| Flaka Haliti |
|
Spatial Negativity and Hijacks through Hybrid Materiality 8–27 August 2022 |
| Hannah Tilson |
|
Personal Patterns 15–27 August 2022 |
| Christina Dimitriadis |
|
Living Environments and Self-awareness 18–30 July 2022 |
| Cäcilia Brown/Anna Hofbauer/Mikkel Holm Torp |
|
Minerals and Overalls 31 July–20 August 2022 |
| Leon Kahane |
|
Witnessing Loss: Memory and Culpability 1–13 August 2022 |
| Tracey Rose |
|
Provocation and Magical Terrorism 1–13 August 2022 |
| ruangrupa / Ayşe Güleç |
|
Harvest the Harvests 8–15 August 2022 |
| Jennifer Higgie |
|
How to Write about Art 15–20 August 2022 |
| Munem Wasif |
|
Editing as Practice: Developing Personal Voice 18–30 July 2022 |
| Anna Daučíková |
|
Fragility and Resilience: Queering Strategies Revisited 18–30 July 2022 |
| Christina Dimitriadis |
|
Living Environments and Self-awareness 18–30 July 2022 |
| Małgorzata Mirga-Tas |
|
Speculative World Building 18–30 July 2022 |
| Cosmin Costinaş / Inti Guerrero |
|
Exhibition-making and the Multiplicity of Artistic Languages 25–30 July 2022 |
| Cäcilia Brown/Anna Hofbauer/Mikkel Holm Torp |
|
Minerals and Overalls 31 July–20 August 2022 |
| Angelo Plessas |
|
Experimental Education Protocol 4: the Ethereal Forest 1–13 August 2022 |
| Ángela Bonadies / Brígida Maestres |
|
THE UN-SCENE: Capturing the absence by wandering 1–13 August 2022 |
| Leon Kahane |
|
Witnessing Loss: Memory and Culpability 1–13 August 2022 |
| Francis Ruyter |
|
Painting Pictures 1–13 August 2022 |
| Léuli Eshrāghi |
|
Saltwater Sensibilities: Poetry and Movements of the Great Ocean 1–6 August 2022 |
| Tracey Rose |
|
Provocation and Magical Terrorism 1–13 August 2022 |
| Rossella Biscotti |
|
Translating Spatial Stories 8–27 August 2022 |
| Flaka Haliti |
|
Spatial Negativity and Hijacks through Hybrid Materiality 8–27 August 2022 |
| ruangrupa / Ayşe Güleç |
|
Harvest the Harvests 8–15 August 2022 |
| Maria Bussmann |
|
Sharpening Pencil and Thoughts 15–27 August 2022 |
| Hannah Tilson |
|
Personal Patterns 15–27 August 2022 |
| Jennifer Higgie |
|
How to Write about Art 15–20 August 2022 |
| Jennifer Higgie |
|
How to Write about Art 22–27 August 2022 |
Internationale
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Salzburg
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