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New horizons – Course programme of the 2020 International Summer Academy

  • 14 January 2020

200114_Press folder_en

New horizons

 

Under the motto New horizons, the 2020 course programme seeks new possibilities for the creative artist, curator or writer to define their own position in the world in which we live. How, in times of worldwide rebellions, shocking consequences of climate change and unequal distribution of resources, can new horizons be conquered?

 

The programme of the 2020 Summer Academy aims to tackle fundamental questions of art, text and curatorial production. Today, like many people, creative artists hardly have time in their daily lives to devote serious consideration to their work and to discuss it with others. This is precisely what the Summer Academy offers: our students take a few weeks to talk over fundamental aspects of their work with teachers and fellow-participants, discovering new points of view, new ideas and new theories. At the same time, they continue to develop their own work, putting into practice what they have learned and exhibiting it for public review at the end of the course..

“What makes a world?” philosopher Catherine Malabou asked her students. Her own answer to this question was “a horizon”. This anecdote – the question and answer – serves as a starting-point for Nadira Husain’s course. In a way, it is the starting-point for all the courses, as well as for the considerations underlying the present programming: “What constitutes the world?” There follows the inevitable question of how one sees one’s own role in the world, and of what new perspectives might open up in times of global revolt and in the  situation we find not only in Austria and Europe

 

The courses

Four artists – Brenda Draney, Thea Gvetadze, Nadira Husain and Tobias Pils – develop new, individual approaches to painting. Focusing on video, photography, digital images and archives are Bani Abidi, who recently attracted much attention with her exhibition in the Gropius building in Berlin, Randa Mirza and Lara Tabet from Lebanon, and Eli Cortiñas, who works mainly with “found footage”, snippets of film previously made for a different purpose. A four-week course in the Untersberg quarry with Cäcilia Brown, Anna Hofbauer and Mikkel Holm Torp introduces participants to the technique of stone sculpture and much more. Caroline Achaintre – once described by a student as a magician – will use a variety of media to approach the “Self” and the “Other”. By contrast, in their interdisciplinary course, Sammy Baloji and Lotte Arndt define “vocabularies for counter-histories”.

Noële Ody and Toni Schmale direct a course in sculpture and installation. Traditional techniques, such as a variety of printing techniques, can be learned in Vaclav Pozarek‘s course, and this year’s programme includes drawing classes taught by Massinissa Selmani and Danish artist Per Dybvig. With the aid of a photocopier, Cameron Jamie devotes his course to the D.I.Y. artist’s book, and Kurdish artist Ahmet Ögüt teaches lecture performance.

Political questions faced by curators will be under discussion with Nicolaus Schafhausen, whose ground-breaking exhibition Tell me about yesterday tomorrow can be seen in the NS-Dokumentationszentrum in Munich until summer 2020. A further curatorial course is directed by Marina Fokidis, and art critics and journalists Louisa Elderton and Klaus Speidel will teach how to write on art.

 

Global/Planetary Academy

On the basis of our long-standing work on the Planetary Academy (formerly Global Academy) project, our present aim is to create an innovative space for meeting and discussion which does justice to the concept. Europe’s colonial past is a fact to which post-colonial discourse involves reaction, and this plays a major role in our Programme of Events.  We can and must, however, go further still, creating new spaces defined beyond the duality of colonial and post-colonial. The term “space” is used here metaphorically, as a place in which the roles of colonialiser and colonialised are understood historically, to enable post-colonial achievements to form a basis for new encounters and discussions, perceptions and activities. This ultimately puts us in the tradition of Oskar Kokoschka’s founding idea and his humanist and pacifist ideas.

 

Detailed descriptions of courses and biographies of the teaching artists, curators and writers are available at: www.summeracademy.at/en/courses/

 

Application, grants, deadlines, fees
Course fees are between € 450 and € 1,200, depending on duration. Some 80 grants will be awarded. Applications for grants should be submitted (online only) by 1 April 2020.
Details: www.summeracademy.at/en/studies/grants

 

All applications received by 30 April 2020 will be treated equally. Later applications are welcome, and will be processed in the order received, according to vacancies in the courses.
Details: www.summeracademy.at/en/studies/application

 

Press photos may be downloaded here: www.summeracademy.at/en/press/press

 

For further details, please contact
Karin Buchauer
Communications & assistant to the director
presse@summeracademy.at, T +43 662 842113-14

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