English (the teacher also speaks German and Spanish)
What to bring
Laptop, digital film/photo camera, headphones, material from your personal archives, found footage, video projects you are working on
Basic editing skills (Premiere, Final Cut or similar), basic skills in video/photomaking, motivation and willingness to work in groups as well as independently.
Maximum number of participants
€ 720.– (€ 560.–)
The sources for moving image are endless – from archives, lms, your own recorded images, home-movies, news, to YouTube videos, etc. rough the method of appropriation of footage previously made for another purpose (found footage) we can look deeply at images, explore and question them, and nd individual expression through the technique of montage. In this course, you will approach any given footage, from existing archives to your own lmed material, in order to develop a video project focusing on storytelling through montage.
The course will start with the introduction of your own material as well as of a selection of archives available for us to work with. There follow editing exercises in which, using the same material, each individual can manifest their own artistic expression through montage. We will explore how editing can be used as a narration instrument, as a weapon, as a tool for critique, or to tell a particular story. Dierent audio-visual collage techniques as well as video-essay methods will be explored.
e aim of the course is to motivate participants to play freely with the dierent sources of material surrounding us and to develop their artistic projects. Individual as well as group consultations will be held throughout the course.
Eli Cortiñas is a video artist of Cuban descent, born in Las Palmas de Gran Canaria (ES) in 1979. She was guest professor at the Art Academy Kassel (DE) and the Art Academy Mainz (DE) and currently shares a professorship with artist Candice Breitz at the HBK Braunschweig (DE). Cortiñas has been awarded numerous grants and residencies, including the Fundación Botín, the Berlin Senate, Villa Sträuli, Kunstfonds, Goethe Institute, Kölnischer Kunstverein, Rupert Residency, Villa Massimo and Karl Schmidt-Rottluff. Her artistic practice can be located within the appropriation tradition, using already existing cinema to de- and reconstruct identities as well as narratives according to new discourses. Her collage-like video essays and installations mix found imagery with documentary strategies.
2020One last thing before I don’t longer talk (w.t.), Galerie Wedding, Berlin. Videoart at Midnight, Berlin. 2019Walls Have Feelings (and They Are not Afraid to Speak), Twin, Madrid. Always bite the hand that feeds you, CONVENT Space for Contemporary Art, Ghent (BE). Walls Have Feelings, Argos Center for Art and Media, Brussels. 2018Remixers Never Die, Contemporary Art Center Vilnius, Vilnius. 2017Double Feature: Eli Cortiñas, SCHIRN Kunsthalle, Frankfurt/Main (DE).
Group exhibitions 2020 Premios Beca Botín, Santander (ES). 2019 Fotonoviembre 15, TEA, Tenerife (ES). 2018 Riga Biennial of Contemporary Art, Riga. Focus Eli Cortiñas, International Film Festival Gijón, Gijón (ES). Melancholia, Villa Empain, Fondation Borghossian, Brussels. 2017Film Footage Photography. Eli Cortiñas, Angelo Novi, Martina Sauter, Museum für Photographie, Brunswick (DE). Ten emerging artists. Contemporary experimental films and video art from Germany, Goethe Institute, Toronto (CA). 2016The human condition, Museum of Modern Art, Moscow.
Publications Eli Cortiñas – The Most Given of Givens, exh. cat., Karl Schmidt-Rottluff Stipendium, Studienstiftung des Deutschen Volkes, Berlin 2016. Eli Cortiñas – What About Tropical Delights in Neoliberal Times?, exh. cat., Centro de Arte La Regenta, Centro Átlantico de Arte Moderno, Sala San Antonio Abad, Las Palmas de Gran Canaria 2015.