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Medium
Group Course and individual consultations/ Curating
Location
Hohensalzburg Fortress
Teaching language(s)
English, German
What to bring
Working tools you need for your own artistic and/or curatorial practice(s)
Requirements
Willingness to work in a group, good communication skills in English
Maximum number of participants
20
Thea Reifler and Phila Bergmann collaborate in the fields of music theater, opera, performance, installation, direction and curation. In recent years they have developed process-based interdisciplinary projects with a queer-feminist focus.
In 2020, Thea Reifler and Phila Bergmann began working as artistic directors at Shedhalle Zurich, a position they will hold until 2025. In cooperation with the curatorial team there, they have developed the idea of the PROTOZONE as an exhibition format for process-based art. In 2021 and 2022, they co-directed the Bone-Performance Festival in Bern. Until the summer of 2023, Thea Reifler was teaching in the department of architecture and art at the Swiss Federal Institute of Technology (ETH). Phila Bergmann has been part of the research project COLLECTING THE EPHEMERAL – Prerequisites and Possibilities for Making Performance Art Last at Lucerne University of Applied Sciences and Art, where they also work as a lecturer. Thea Reifler and Phila Bergmann also work together as Social Justice & Radical Diversity Trainers, with a focus on gender and class. Their artistic work has been shown at Hamburger Bahnhof, 3HD Festival, KW Institute for Contemporary Art, Radialsystem (all in Berlin), SpielArt- Festival Munich, Nowy-Teatr in Warsaw, Zurich Theater Spektakel and Opera Darmstadt, among others. Recently their essay WHEN CONTEXT COMES FROM PROCESS: THE PROTOZONES METHOD was published in the book Politics of Curatorship.
Internationale
Sommerakademie
für bildende Kunst
Salzburg
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