Louisa Elderton is a writer, editor and art critic based in Berlin. She regularly contributes to publications including
Artforum and
Frieze, and is the German correspondent for
Flash Art. She is curatorial editor at the Gropius Bau, having formulated the interpretive framework and texts for the institution’s exhibition
Yayoi Kusama: A Retrospective, as well as being managing editor of the accompanying catalogue and booklet. She also edits their Online Journal. She is editor of
Side Magazine, a publication that accompanies the fourth edition of the Bergen Assembly, to take place in 2022. As project editor of Phaidon’s ‘Vitamin’ series, her most recent publication was released in January,
Vitamin D3: Today’s Best in Contemporary Drawings.
Recent publications
Magazines & newspapers (selected)
“Rebecca Ackroyd, Peres Projects”, in:
Artforum, forthcoming, April 2021.
“Xinyi Cheng, Hamburger Bahnhof”, in:
Flash Art, forthcoming, March 2021.
“This Year’s Steirischer Herbst Switches Between Programmes”, in:
Frieze, November 2020.
“Vienna Contemporary has a new look and new leadership, but it remains a staid regional fair”, in:
artnet News, 30 September 2019.
“An Electric Temple of Culture Fires Up”, in:
The New York Times, 11 September 2019.
“Christian Nyampeta’s Study of the Cultural Acts of Colonial Violence”, in:
Frieze, 3 September 2019.
Book contributions (selected)
Flower: Exploring the World in Bloom (Phaidon, 2020).
The New Mediterranean (Gestalten, 2019).
Anatomy: Exploring the Human Body (Phaidon, 2019).
Animal: Exploring the Zoological World (Phaidon, 2018).
Flying Too Close to the Sun: Myths in Contemporary Art from Classical to Contemporary (Phaidon, 2018).
Universe: Exploring the Astronomical World (Phaidon, 2017).
Editing (selected)
Managing editor of
Yayoi Kusama. A Retrospective (Gropius Bau/Prestel, 2021).
Project editor of
Vitamin D3: New Perspectives in Drawing (Phaidon, 2021).
Managing editor of
Leonilson: Drawn, 1975–1993 (KW Institute/Hatje Cantz, 2020).
Co-editor of
Otobong Nkanga: There’s No Such Thing as Solid Ground (Gropius Bau 2020).
Managing editor of
Lee Mingwei (Gropius Bau/Silvana Editoriale, 2020).
Content editor of
Great Women Artists (Phaidon, 2019).
www.louisaelderton.com
Klaus Speidel (PhD in philosophy) is an award-winning German art critic, curator and theorist. He writes for various print media, including
Frankfurter Allgemeine Zeitung,
Spike and
The Art Newspaper. He is co-founder of
Verein K and facilitates
Crit Cross. A Forum on Art Criticism. He currently teaches art history, art and curation in Vienna and image theory in Paris.
Recent publications (selected)
Magazines & newspapers
“The Sorrows of Young Andy. Andy Warhol Exhibits. A Glittering Alternative. mumok Wien”, in:
Spike Art Quarterly #66, Winter 2020/2021
"Steirischer Herbst Graz aka Paranoia TV: Altes Broadcasting", in:
artmagazine.cc, 20.10.20.
"Sie wollen uns erzählen", in:
Frankfurter Allgemeine Zeitung, 17 April 2019.
Journal Articles
“‘Telling in Time’ Extended: How Single Pictures Convey Stories, Evoking Suspense, Curiosity, Surprise and Relief”, in:
Poetics Today, Vol. 41, 2020 (i.E.) (EN).
“Pictorial Narrative with Tension and Relief”, in:
Storyworlds. A Journal of Narrative Studies, 10.1.2, 2020.
Book Contributions
"Stabile Bilder der fragilen Schöpfung: Von Bildern der Natur zur Natur als Bild / Stable images of fragile creation. From pictures of nature to nature as a picture", in:
Fragile Schöpfung, Johanna Schwanberg (Hg.), Dom Museum Vienna, 2020.
"Witz, Würdigung und Remix. Rückbezug als Innovation in der zeitgenössischen Zeichnung und Fotografie", in:
Comeback. Kunsthistorische Renaissancen, Nicole Fritz (ed.), Kunsthalle Tübingen, 2019.
Bosch & Pitié. Agathe Pitié. Visionen des Jüngsten Gerichts / Visions of Last Judgement, Gemäldegalerie der Akademie der Bildenden Künste, Vienna, 2019.
Portrait photo Elderton: Rebecca Crawford
Portrait photo Speidel: Verein K