Stanislava Pinchuk (1988, Ukraine) is an Ukrainian artist exploring the changing topographies of war and conflict zones. With a multidisciplinary practice that spans drawing, installation, tattooing, film and sculpture, Pinchuk surveys the ways in which landscape holds memory and testament of political events and violations of human rights. Using source materials of data, documentation, and detritus surveyed through field-work, Pinchuk’s critical practice reconsiders perceptions of geopolitical borders, migration, climate catastrophe and nuclear crises.
Currently lives and works in Sarajevo, Bosnia and Herzegovina
Solo Exhibitions
2022 Mordant Family Commission, Australian Centre for the Moving Image, Melbourne (AU).
 2021 Archaeology of Loss: Career Survey, Fremantle Arts Centre, Perth (AU).
Terra Data: Career Survey, Heide Museum of Modern Art, Melbourne (AU).
2020 The Red Carpet, Sydney Opera House, Sydney (AU).
2019 Immigration Granulation, Immigration Museum of Australia, Sydney (AU).
Group exhibitions
2023 Art Basel Encounters Commission, Hongkong (CN).
2022 Manifesta 14, Prishtina, Kosovo. Adelaide Biennial of Australian Art: Free/State, curated by Sebastian Goldspink, Art Gallery of South Australia, Adelaide (AU).Â
2021 Emerging Topographies, Yavuz Gallery, Sydney (AU).
2020 Hybrid, Museum of Applied Arts and Sciences, Sydney (AU). Bushfire Brandalism, National Gallery of Victoria, Melbourne (AU).
2019 A World of One’s Own, Art Gallery of Ballarat, Melbourne (AU).
2018 Earth/Sky, National Gallery of Australia, Canberra.
2010 SpaceInvaders, National Gallery of Australia, Canberra. Future Tense, National Portrait Gallery, Canberra.
Education
2011 B.A. (Art History/Philosophy), University of Melbourne, Australia