In his works,
Michael Beutler, born in Oldenburg (DE) in 1976, reacts mainly to the social and architectural structures of the specific exhibition space, which is used for both production and presentation. To produce the modules for his installations, he first constructs his own machines, then processes industrially manufactured materials such as paper, metal, wood or plastics. He often involves others in the creation of his works. He regards this state of temporary uncertainty and processual development as a productive component of his work. (see Thomas Thiel, Bielefelder Kunstverein 2014).
Solo exhibitions
2018 Råby Planet, Råby (SE).
2016 Pump House, Spike Island, Bristol (UK); Nottingham Contemporary, Nottingham (UK).
2015 Michael Beutler. Moby Dick, Hamburger Bahnhof, Museum für Gegenwart, Berlin.
2014 Haus Beutler, Bielefelder Kunstverein, Bielefeld (DE); La Loge, Brussels.
Michael Beutler, Architekt – Etienne Descloux, Künstler, Kunsthalle Osnabrück, Osnabrück (DE).
Ballenernte, Kunstareal Munich, Pinakothek der Moderne, Munich (DE).
2008 Michael Beutler, Bonniers Konsthall, Stockholm.
Group exhibitions
2018 Birds, Oldenburger Kunstverein, Oldenburg.
2017 Viva Arte Viva, 57th Biennale di Venezia, Venice (IT).
2016 the 8th climate, Gwangju Biennale, Gwangju (KR).
2015 Eppur si muove, MUDAM, Luxembourg (LU).
2014 Play Time, Les Ateliers de Rennes, Biennale d’art contemporain, Rennes (FR).
Living in the Material World, Kunstmuseen Krefeld, Krefeld (DE); Galerie im Taxispalais, Innsbruck (AT).
Decorum, Musée d’Art Moderne de la Ville de Paris, Paris.
2011 Melanchotopia, Witte de With, Rotterdam (NL).
Skulpturales Handeln, Haus der Kunst, Munich.
Publications
Udo Kittelmann, Melanie Roumiguière (eds.):
Michael Beutler. Moby Dick, exh. cat., Hamburger Bahnhof, Museum für Gegenwart, Berlin 2015.
Sara Arrhenius (ed.):
Michael Beutler. Kottgubbar, exh. cat., Bonniers Konsthall, Stockholm 2008.
www.nagel-draxler.de
www.galerie-graesslin.de
www.heinrichehrhardt.com
www.pinksummer.com
Portrait photo: Sunah Choi