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Rossella Biscotti

Clara and other Specimens
26 July–30 September 2021 / 2–6 pm CEST

Rossella Biscotti, Clara and other Specimens, 2021
Rossella Biscotti, Clara and other Specimens, 2021, exhibition view, Stadtgalerie Zwergelgartenpavillon, photo: Christian Ecker


Exhibition opening: 24 July 2021 from 4-8 p.m.
An exhibition in Stadtgalerie Zwergelgartenpavillon in cooperation with Internationale Sommerakademie für Bildende Kunst Salzburg

Rossella Biscotti explores events, both suppressed and unspeakable that shift global value systems. Her works tell of the alliances and the resistances to institutionalised forms of tyranny.  Through sculpture, performance, and film, she weaves snippets from former life, forgotten ideas and traditional material into new stories. In the installations, the spatial montage becomes a gesture of the material of history and the present.
Rossella Biscotti's work deals with the exploration of forgotten or untraced events that reveal changing value systems. She is interested in narrating and manifesting a subject's constitution through its alliances and resistances against violent institutionalised structures.

Using sculpture, performance, filmmaking, Biscotti sensibly weaves together traces of lives, concepts and materials into new narratives, using montage as a spatial gesture of layering their origins.

Her methods show care and attentiveness towards details of individual narratives by gathering information through the recording of oral stories, as from archival research and fieldwork. Places, which have been tapped historically by forms of mining, exploitation, and confinement, are often the backdrop of her artistic explorations. By questioning the relevance of the information used from a contemporary perspective, Biscotti creates links and networks to the present, empowering imagination and experience.

Solo Exhibitions
2019 New Work, Witte de With, Rotterdam (NL). Clara and Other Specimen, Fondazione Ratti, Como (IT). Three works and a script, curated by Sara Dolfi Agostini, Blitz, Valletta. The City, daadgalerie, Berlin. 2018 A shirt, blue pants, blue jeans, a towel, Kunst-Station Sankt Peter, Cologne (DE). The City, Kunsthaus Baselland, Muttenz (CH). The Standing Wave, Steirischer Herbst, Volksfronten, Graz (AT). 2017 PREMIO ACACIA A ROSSELLA BISCOTTI, Museo Del Novecento, Milano (IT). 2016 The Trial, GULAG History State Museum, Moscow. 2015 The future can only be for ghosts, Museion, Bolzano (IT). 2014 10 x 10, Haus Lange, Kunstmuseen Krefeld (DE). For the Mnemonist, S., Wiels, Brussels. The Undercover Man, Sculpture Center, Long Island City, New York, NY (US). 2013 The Trial, e-flux, New York, NY. The Side Room, Secession, Vienna. 2012 This is a special blackout edition!, Kadist Arte Foundation, Paris. Title One: The Tasks of the Community, CAC, Vilnius. Isola, de Vleeshal Middelburg (NL).

Group Exhibitions
2020 Eroded Landscape, Mussée de Rochechouart (FR). Dhaka Art Summit, Dhaka. A Story for the Future, Fondazione MAXXI, Rome. Radical Hope, mor charpentier, Paris. 2019 Deep Sounding – History as multiple narratives, daad galerie, Berlin. The Remains of the day, mor charpentier, Paris. Je suis né étranger, Les Abattoirs - Frac Occitanie Toulouse Château d'Assier, Assier (FR). Borderlines, Talbot Rice Gallery, Edinburgh (GB). Hybrid Sculpture, Stedelijk Museum, Amsterdam. entre, hacia, hasta, para, por,segùn, sin, ESPAI d'art contemporani de Castelló, Castello (ES). 2018 The world as prison?, IVAM, Valencia (ES). Dropping Knowledge, Mecenes du Sud, Montpellier (FR). Turbulence, The Model, Sligo (IE). Conversation Piece PArt IV, Fondazione Memmo, Rome. I am Native Foreigner, Stedelijk Museum, Amsterdam. Manipulate the World, Moderna Museet, Stockolm. The Humans, Kunstmuseum St. Gallen (CH). 2017 The Materiality of the Invisible, Bureau Europa, Maastricht (NL). Transition, curated by Ruanrupa, Sonsbeek, Arnhem (NL). Rossella Biscotti & Kevin van Braak, Škuc Gallery, Ljubljana. Please come back. The world as prison?, MAXXI, Rome. Contour Biënnale #8, Polyphonic Worlds: Justice as Medium, Mechelen (BE). 2016 Against the Romance of Community, Swiss Institute, New York, NY. Exodus, mor charpentier, Paris. Les Incessants, Villa du Parc, Annemas (FR). Riddle of the Burial Grounds, Extra-city, Antwerp (BE). Position III, Van Abbe Museum, Eindhoven (NL). Dispatches, SECCA, Winston-Salem, NC (US). House of Commons, Portikus, Frankfurt (DE).

Publications
Rossella Biscotti, Museion, Walther Koenig, Cologne 2015.
For the Mnemonist, S., Wiels, Bruxelles, Rome, 2015.
10x10, Haus Lange Haus Ester, Krefeld 2015.
The Side Room, Wiener Secession, Wien 2013.
Ten Work, Maxxi Museum, Milano 2012.
The Trial, in conjunction with DOCUMENTA (13), 2012.

www.mor-charpentier.com
Portraitphoto Rosella Biscotti
Photo: Martijn van Nieuwenhuyzen
SUMMERACADEMY.AT19/07–28/08/21

EDUCATION / RESEARCH / ARCHIVE / CYBERSPACE / SPATIAL
PRACTICE / HISTORY / COMMUNITY / CREATIVITY / GAME