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| Cosmin Costinaş / Inti Guerrero |
|
Exhibition-making and the Multiplicity of Artistic Languages 25–30 July 2022 |
| Léuli Eshrāghi |
|
Saltwater Sensibilities: Poetry and Movements of the Great Ocean 1–6 August 2022 |
| Flaka Haliti |
|
Spatial Negativity and Hijacks through Hybrid Materiality 8–27 August 2022 |
| Ángela Bonadies / Brígida Maestres |
|
THE UN-SCENE: Capturing the Absence by Wandering 1–13 August 2022 |
| Tracey Rose |
|
Provocation and Magical Terrorism 1–13 August 2022 |
| Maria Bussmann |
|
Sharpening Pencil and Thoughts 15–27 August 2022 |
| Leon Kahane |
|
Witnessing Loss: Memory and Culpability 1–13 August 2022 |
| Rossella Biscotti |
|
Translating Spatial Stories 8–27 August 2022 |
| Cosmin Costinaş / Inti Guerrero |
|
Exhibition-making and the Multiplicity of Artistic Languages 25–30 July 2022 |
| Ángela Bonadies / Brígida Maestres |
|
THE UN-SCENE: Capturing the Absence by Wandering 1–13 August 2022 |
| Leon Kahane |
|
Witnessing Loss: Memory and Culpability 1–13 August 2022 |
| Léuli Eshrāghi |
|
Saltwater Sensibilities: Poetry and Movements of the Great Ocean 1–6 August 2022 |
| Tracey Rose |
|
Provocation and Magical Terrorism 1–13 August 2022 |
| Rossella Biscotti |
|
Translating Spatial Stories 8–27 August 2022 |
| Flaka Haliti |
|
Spatial Negativity and Hijacks through Hybrid Materiality 8–27 August 2022 |
| Maria Bussmann |
|
Sharpening Pencil and Thoughts 15–27 August 2022 |
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