Generic selectors
Exact matches only
Search in title
Search in content
Search in posts
Search in pages
Door of the printing class with Ciara Phillips

Messing Around

I went back into the screen printing workshop this afternoon and snooped…
more ...
Richard-Serra-One-Ton-Prop-House-of-Cards-1969-1-880x669

Influences II

I wanted to continue yesterday's post on influences by telling you about…
more ...
Entrance to the Summer Academy

Influences I

It's almost a week and a half into the first round of…
more ...
Traditional Austrian Breakfast

Salzburg – New York

This weekend I had some visitors from Berlin and spent much of…
more ...
Exhibition Jakob Kolding, Künstlerhaus, 2018

Movements

Yvonne Rainer's chin is pointing towards the ground; her left arm is…
more ...
Blick auf den Salzburger Dom

I Love People not Mountains

The title of this entry is a quote from Hubert Scheibl's artist…
more ...
Printing button

Sandwiches and Lost Cults

Viewer interaction - undefined space / distance in the works Contemplative -…
more ...
Kollageutensilien

Collage

Unsurprisingly, there is a lot of adhesive in Jakob Kolding's collage class.…
more ...
Show window

First Impressions

Yesterday, I went to the staff welcome dinner and on my way…
more ...
Chloe Stead
Chloe Stead
Chloe Stead is a writer and critic based in Berlin. Her criticism has been published by frieze, frieze d/e, Spike Art Quarterly, Sleek, Art + Australia and AnOther Magazine. Her fiction was featured most recently in Pfeil Magazine #8, published by Montez Press. She holds a BA from Goldsmiths University of London and an MA from the Hochschule für Bildende Künste Hamburg.

List by

2021 / 2022 / 2023 / 2024 / Ahlam Shibli / Aisha Khalid / Andreas Lolis / art / Artist's book / Cameron Jamie / Capitain Petzel / Caroline Achaintre / Christian Naujok / Ciara Phillips / Collage / conceptual / curatorial course / director's comment / Documenta / drawing / Ei Arakawa / Ekaterina Shapiro-Obermair / Eli Cortiñas / Eva Presenhuber / film / Film de fac-to / Found Footage / Global/Planetary lectures / Global Academy II conference / Global Planetary Academy / Grace Samboh / Hildegund Amanshauser / hunting & collecting / Imran Qureshi / installation / Interview / Irena Popiashvili / Jakob Kolding / Karin Reichmuth / Kimberly Bradley / kunst / Lahore Biennial / Lectures / magic / Marina Fokidis / Mark Van Yetter / Martin Herbert / Massinissa Selmani / Michael Beutler / Miniature Painting / Mohammed Salemy / montage / multi media / Munich Documentation Centre for the History of National Socialism / Navigating the Planetary / networking / Nicolaus Schafhausen / Open Day / Painting / Paulina Olowska / Performance / postcolonial / postcolonial discourse / printing workshop / quarry / Rahel Aima / Salzburger Kunstverein / Sammy Baloji / Sarah Chow / Scenography / Sculpture / Secession / silk screen / Simone Wille / Stone sculpture / Summer Academy / Svenja Deininger / Teacher / Tobias Pils / Tony Chakar / Videos / Vienna Kunsthalle / Vincent van Gogh / What colour is today? / who do we invite / Writer-in-resdience / Writer-in-residence / Writing Class / Yorgos Sapountzis / YouTube / Øyvind Torvund